Tickets for Saturday performances at the Lincoln Center are available online or in-person at the Lincoln Center (auditorium entrance located on N. 29th St. across from the Dude Rancher Lodge) the day of the performance.
February 15, 2020 | 7:30 pm
Concert Cues | 6:45 pm
The Billings Symphony Chorale joins the orchestra to pay homage to one of the classical music’s greatest composers, with Mozart’s Requiem and Symphony No. 35.
Amy Schendel is thrilled to be on stage with the Billings Symphony. A versatile performer, she is usually found in the clarinet section, but has been a vocal soloist with Symphony numerous times. Amy’s operatic credits include Pamina in Die Zauberflöte, the title role in Floyd’s Susannah, Mimì in La bohème, Susanna in The Marriage of Figaro, Despina in Così fan tutte, the title role in Sister Angelica and others. Some of her favorite musical theatre roles have been the title role in Evita, Velma in Chicago, Missy in The Marvelous Wonderettes and Ellen in Miss Saigon. Sometimes she can be found around town singing jazz standards with local jazz musicians, a passion she has held for many years.
Amy is a dedicated music educator, serving her fourteenth year as the Director of Choirs at Billings Skyview High School and as co-conductor of Yellowstone Valley Voices. She travels around the state and beyond conducting honor choirs, adjudicating at festivals and teaching at summer camps. Amy holds bachelor’s degrees in Clarinet Performance and Music Education, as well as a Master’s in Music Education from the University of Montana. She is a certified member of the VoiceCare Network and is currently serving as the President-Elect of the Montana Music Educators Association.
Hailed as “Deeply expressive” (Chicago Sun Times) and a “first-class soloist” (Chicago Classical Review) Sarah Ponder, mezzo-soprano, enjoys a busy career as a soloist and ensemble singer with Lyric Opera of Chicago, Grant Park Chorus, Chicago Symphony Chorus, Chicago a cappella, Music of the Baroque, and many others. Sarah holds a faculty position at Loyola University. In addition to training voices, Sarah has helped to establish many outreach programs with CSO’s Negaunee Music Institute, specializing in original composition workshops through The Lullaby Project and Notes for Peace, where she is featured prominently as both a vocal coach and interpreter of these moving tributes. Her work as a technique model is also featured in the award-winning pedagogy book by Dr. Julia Davids, Vocal Technique: A Guide for Conductors, Teachers, and Singers
Clayton Parr, tenor, is Professor of Music at Albion College in Michigan. His professional experience as a performer has included the Cincinnati Opera, Whitewater Opera, Oregon Bach Festival, Santa Fe Desert Chorale, and Music of the Baroque, Grant Park Music Festival, and Bella Voce in Chicago. Solo concert performances with orchestra have included the Cincinnati Ballet, Billings Symphony, Midland Symphony, Middletown Symphony, the Janus Ensemble in Chicago and the National Music Center Orchestra of Tbilisi, Georgia, where he was a Fulbright scholar at the Tbilisi Conservatoire. He leads the Alioni Georgian Choir of Chicago and has edited publications of Georgian folksongs in print with Hal Leonard and earthsongs Publishing.
Daren Small is a distinguished bass-baritone soloist in the American Northwest. He enjoys sharing his passion for singing on stage as well as in the classroom and voice studio. Small is currently pursuing his Doctor of Musical Arts degree in Vocal Performance at the University of Cincinnati College-Conservatory of Music (CCM). As a native of Billings, MT, Small earned his Music Education and Master of Education degrees from Montana State University and was formerly the Director of Choirs at Billings Senior High School. He has enjoyed opportunities to share his “clear and rich-timbred voice” with all audiences in a growing list of venues and locales including: Ohio, Indiana, California, Washington, Idaho, Wyoming, and Montana. Many reputable soloists and educators have and continue to influence his career including Tom Baresel, Dennis Rupp, Lowell Hickman, Dr. Jon Harney, and Dr. Steven Hart. Additional information about Daren Small can be found at darensmall.com
The Requiem was secretly commissioned by Count Franz von Walsegg to commemorate the passing of his wife. Once Mozart received the first half of his commission—paid by messenger—he began writing, never knowing who he was writing for. Incredibly ill at the time, Mozart is said to have been convinced he was writing the Requiem for his own funeral. Indeed, he passed away on December 5, 1791, at the age of 35, leaving the work unfinished. Mozart’s wife recruited his student, Franz Xaver Süssmayr, to complete the Requiem in secrecy, and 100 days after Mozart’s death, it was delivered to Count Franz von Walsegg. Many believe von Walsegg tried to pass it off as his own work, as he was known to do. However, Mozart’s wife was very vocal about the commissioned project and was able to quash his claim.
Mozart’s Symphony No. 35
Also known as the Haffner Symphony, Symphony No. 35 was Mozart’s second work commissioned by the Haffner family of Salzburg, Austria. After the success of his Haffner Serenade for the wedding of Marie Elizabeth Haffner, the family again sought Mozart to commemorate the ennoblement of Sigmund Haffner the Younger. This second Haffner serenade was later reworked by Mozart into a full symphony, making its debut performance as Symphony No. 35 on March 23, 1783, at Vienna’s Burg Theatre.