Auditions

There are several ways that you can be involved with The Billings Symphony Orchestra and Chorale. We welcome your participation in one or more of the following opportunities and look forward to having you as part of our organization and our community.

Announcing auditions for the 2019-2020 season
Sunday, April 14, 2019
2019 Audition Rep List
2019 Application

Job Postings:

None available at this time.

Openings in:

Assistant Concertmaster (email personnel@billingssymphony.org to audition)
Principal Bassoon
Principal Percussion
Principal Tuba
Principal Harp – candidate must provide own harp
Section Flute/Piccolo – primarily second with obligation to piccolo*
Section Trumpet – rotating between 2nd and 3rd*
Section Violin
Section Cello
Section Bass
Substitutes in all sections

2019-2020 Repertoire Includes:

Gershwin’s American In Paris
Debussy’s Prelude to the Afternoon of a Faun
Stravinsky’s The Rite of Spring,
Mozart’s Symphony No. 35 and Requiem
Rachmaninoff’s Symphony No. 2

The Billings Symphony Orchestra and Chorale is a part time, per service orchestra.  There are currently 40 services in 2019-2020 concert season. but the number of services offered to each player are determined by orchestration.   *Wind rotation and part assignment is determined by the principal.  See the audition application for schedule and instrumentation to determine the number of services per musician.

Per service rates for 2019-2020 are as follows:

  • Principal and Assistant Concertmaster $80/service
  • Non-string section $64/service
  • Section string $56/service
  • Intern (high school) $40/service

A travel stipend (.42/ mile up to $400 per concert or airfare reimbursement up to $400) and homestay lodging is also provided for out of town musicians.  No per diem is provided.  Musicians are responsible for their ground transportation while in Billings.

Tenured members are expected to perform all subscription concerts in a season for which there is need for their position.  If there is a conflict, 1 concert per year will be excused for principal and 2 for section players.  Substitutes are contracted on an annual basis.

 

Audition procedure

Applicants (except for assistant concertmaster) should send the audition application to auditions@billingssymphony.org as soon as possible and not later than Thursday, April 4, 2019. Audition slots are limited and may be closed before that date if full.  Discounted hotel rates may be available – contact the BSO&C office for more information.

Tenured membership is available to both residents and non-residents of Billings. The Billings Symphony Orchestra is a professional orchestra and all musicians must successfully complete a double-blind (“behind the screen”) audition prior to engagement. Double-blind auditions are held with the auditionee performing behind a screen where s/he cannot see the audition committee and in the same fashion, the audition committee does not know her/his identity.

Please note:  For assistant and section positions (i.e., all non-principal positions), preference will be given to qualified musicians living within 250 miles of Billings.  The Assistant Concertmaster position is a principal level position. Qualified musicians are defined as musicians who have passed into the final round of auditions. Musicians seriously considering relocating to Billings should indicate this on their application.  All information will be shared anonymously.

All auditions for tenured positions must take place in person. Tenured auditions are held behind the screen and may or may not have two rounds. Applicants must be authorized to work in the U.S.

If you are interested in a substitute-only audition you may elect to submit an online audition via YouTube link. Please note that acceptance to the Billings Symphony Orchestra’s Substitute and Extra list does not guarantee employment.

Thank you for your interest in the Billings Symphony Orchestra and Chorale!

About the Billings Symphony Orchestra

The Billings Symphony Orchestra and Chorale is widely regarded as one of the finest orchestras in the region. Many different talents and skills are needed to provide management and support for this cultural treasure.  The Billings Symphony Orchestra and Chorale is an equal opportunity employer.

The Billings Symphony Orchestra is a part-time per service professional orchestra offering tenured membership to its players. The Orchestra performs a six-concert subscription series, an annual Family concert, The Nutcracker, a free outdoor concert, several run-out concerts, chamber music concerts and educational outreaches.

Move to Montana!

Many of our musicians have moved to the area because of the beauty of the landscape, the quality of life, and the unique culture of our community.  The Montana/Wyoming area offers many opportunities to professional musicians, including performance opportunities in several orchestras, extensive chamber music and Symphony outreach opportunities and many opportunities for private teaching.  There is an especially strong need for bassoon, cello and bass private teachers in the area.

About Living in Billings

Chorale Auditions

Check back for dates and times of auditions. Audition are held at The Lincoln Center and are by appointment only. Please contact Candy candy@billingssymphony.org to schedule your audition.

Auditonees are required to perform one solo vocal literature (classical only), an complete a vocal range. An accompanist will be provided. Please bring 2 copies of the solo vocal material.

The Billings Symphony Chorale welcomes new singers. Rehearsals take place Monday evenings from 7-9 pm, and auditions are scheduled throughout the year. Contact the Billings Symphony office to schedule an audition.

 

 

 

International Spy Gala

Break out your poodle skirts & saddle shoes & join us at the hop, for our Annual Gala, The Fabulous 50’s!

Start the night with cocktail hour in Bernie’s, the Northern Hotel’s authentic 1950’s diner. Then head upstairs to the Grand Ballroom for a 50’s inspired formal dinner followed by dancing with music provided by the Midlife Chryslers!

Single Tickets and Tables are available (see below for details).

Help us continue to enrich lives through music by purchasing your tickets today!
The BSO&C performs over 90 outreaches each year benefiting our community. These outreaches  include nursing home and school visits, community programs to lower income areas, and so much more!
Thank you for your continued support and unyielding generosity!
For more information about becoming a sponsor, please contact Sandy Contesano at 406-294-3713 or sandy@billingssymphony.org

 

Live Auction Packages:

 

Sponsor Opportunities:

$10,000 (can be shared, $5,000 each)

Benefits include: logo predominately displayed on everything that goes out for the event from start to finish. This includes save-the-date cards, spring playbill, slide before each concert, invitations, television, Billings Gazette ads, posters, and any additional advertising acquired leading up to event. At event, logo predominately displayed on all posters and signage throughout venue, recognition from stage, logo recognition in event
program, online & social media. Includes VIP Reserved table of 8 at Gala with name/logo recognition at table.

$3,500 ( 2 available)

Benefits include: logo placement on stage, in event program, advertising, online & social media, recognition from stage. Includes VIP Reserved table of 8 at Gala with name/logo recognition at table

$3,500 (can be shared $1,750)

Benefits include: Logo placement on Bar, on drink tickets for guests, in advertising, online, social media & recognition from stage. Includes VIP Reserved table of 8 (4 for each sponsor) at Gala with name/logo
recognition at table.

$2,500

Benefits include: logo/name predominately displayed in ballroom, recognition from stage, logo recognition in event program, advertising, online, & social media. Includes VIP Reserved table of 8 at Gala with name/logo
recognition at table.

$2,500

Benefits include: Logo placement in centerpiece, in ballroom, online, social media, & recognition from stage. Includes 8 tickets to Gala.

$1,750

Benefits include: Private lunch with Maestra Anne Harrigan, seating with Anne at Gala, recognition online, social media, & from stage. Includes 2 tickets to Gala. (lunch to be coordinated directly with Anne)

$1,000

Benefits include: Logo placement on program, online, social media, & recognition from stage. Includes 2 tickets to Gala.

$750

Benefits include: Logo placement on invitations, online, social media & recognition from stage.
Includes 2 tickets to Gala.

Table Sponsorship Options:


$1,500

Recognition at table, in program & from stage, name recognition online. Includes 8 tickets to Gala.


$750

Recognition at table, in program & from stage, name recognition online. Includes 4 tickets to Gala.

 

 

Beethoven & Brahms

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Brian Ganz

Brian Ganz is regarded internationally as one of the leading pianists of his generation. “One comes away from a Brian Ganz recital not only exhilarated by the power of the performance but also moved by his search for artistic truth.” Joan Reinthaler, Washington Post.

Mr. Ganz is a graduate of the Peabody Conservatory of Music where he studied with Leon Fleisher.  He also studied with Ylda Novik and the late Claire Deene.  A gifted teacher, he has been Artist-in-Residence at St. Mary’s College of Maryland since 1986, and in 2000 joined the faculty of the Peabody Conservatory.  He has been honored to serve on numerous competition juries, including the Long-Thibaud Competition.

Mr. Ganz deems himself “an active explorer of the many ways in which the study and performance of great music can remind us of the Spirit that unites all living things.”  He has donated numerous performances in benefit concerts and was a founding member of the Washington Chapter of Artists to End Hunger. brianganz.net

Mozart’s Overture to II Re Pastore K 208

Written in just six weeks for its March 1775 premiere, Il Re Pastore (The Shepherd King) is a youthful work whose dramatic insignificance earned it the name of “serenade”—a type of dramatic cantata. The richness of its orchestration, its inexhaustible melodic inspiration and its dazzlingly ingenious score wonderfully foreshadows the then-19-years-old composer’s future works. Despite flat characters and Metastasio’s somewhat outdated and rather incredible libretto, this exquisite bucolic tale brims with energy, spirit and enthusiasm. The appearance of a quartet of lovers of somewhat dubious fidelity automatically puts a modern audience in mind of Così fan tutte. The principal psychological theme of the opera is, however, the demands of love against the demands of kingship, as Aminta, the shepherd-king, tussles with his conscience, and in this Il re pastore is closer in theme to Idomeneo than any other of Mozart’s operas.

Beethoven’s Emperor Concerto

Beethoven’s piano concerto No. 5, otherwise known as the Emperor Concerto, premiered on January 13, 1811 in Leipzig, Germany. It has grown in popularity over the years, becoming mandatory for any professional pianist to play.  The name Emperor Concerto was given by the English publisher Johann Baptist Cramer. It is doubtful that Beethoven would have approved of the name due to his immense dislike of Napoleon Bonaparte who invaded Vienna in 1808 when Beethoven was working on the concerto.

The Emperor Concerto is the last complete piano concerto Beethoven wrote.

Allegro

Adagio

Rondo

Brahms Symphony No. 1

Brahms Symphony No. 1 took nearly 15 years to complete. Brahms, like many composers of the era, felt the presence of Beethoven looming over him (even though Beethoven died six years before Brahms was born.) He made countless edits and revisions. Finally, at the urging of his friends and family he released it November 4, 1876 in Karlsruhe, Germany. The critics were instantly impressed, calling it Beethoven’s tenth. For Brahms, this was the highest praise he could have received.

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Symphony Royale

Enjoy the beloved music of the Royals with Bach’s Brandenburg Concerto #3, Handel’s Water Suite, Vivaldi’s Credo in E minor, and more, Saturday, March 16 beginning at 7:30 pm at the Alberta Bair Theater, Concert Cues, an interactive discussion before the show begins at 6:45 pm.
Featuring the Billings Symphony Chorale

Tickets on sale NOW!

Antonio Vivaldi (1678-1741), Credo in E minor, RV 591

The Credo belongs to the large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pietà, the convent and orphanage which was his primary place of employment. Written solely for choir and strings, the four-movement work is a companion piece to the Gloria, RV 588 (the less well-known of Vivaldi’s two settings).

Bach Brandenburg Concerto #3

The six Brandenburg Concertos—the “cold call” portfolio Bach dedicated and sent to Margrave Christian Ludwig of Brandenburg-Schwedt in hopes of a job offer—give us a glimpse into the evolution of modern orchestral composition. In the Baroque era, a “concerto” wasn’t necessarily a virtuoso solo showpiece as we think of it today. The word frequently referred to a work in which musicians perform in concert (as a group). Concerto No. 3 was originally composed for three violins, three violas, three cellos, bass, and harpsichord. The nine upper strings serve as both concertino (soloists) and ripieno (accompanists), fluidly transitioning between roles throughout the piece.

The Water Suite

As King George I planned his July 17, 1717 barge party, he asked Handel to provide music in the form of an orchestra composition for about 50 musicians. Handel responded with Water Music, which, according to one eyewitness, engaged an ensemble of flutes, recorders, oboes, bassoons, trumpets, horns, violins, and basses. (Timpani were likely added after the limiting factor of a barge-borne performance was eliminated.) The king was so delighted with the new work that he asked to hear it over and over—for a total of four performances, lasting about an hour apiece.

Because Water Music was assembled and published posthumously as a complete collection, the order in which the Handel wished the various movements to be played remains uncertain. Instead, movements are grouped according to their keys and instrumentations, creating three shorter suites—in F major, in D major, and in G major.

 

 

Motown Magic

Featuring guest artists
Sydney Morton & Jarran Muse

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Motown Records was founded on January 12, 1959 by Berry Gordy. During the 1960’s, Motown exploded on the music scene with acts like: Smokey Robinson and the Miracles (first act to be signed), The Supremes (the most successful group to be signed), Stevie Wonder, The Temptations, Marvin Gaye, the Jackson 5, and many more. With more than 180 number one hits, and the development of the Motown sound, Gordy “reached across the racial divide with music that could touch all people, regardless of the color of their skin.” (Gordy’s induction to the Rock & Roll Hall of Fame)
britannica.com/topic/Motown

 

Sydney Morton

Sydney Morton is thrilled to bring the music of Motown to Billings!  Originally hailing from Cincinnati, Ohio, Sydney started training in ballet at four years old.  Growing up in a musical family (her grandfather was a Broadway performer and music teacher), she also sang in school choirs and played piano from a young age.  Her interest in the performing arts grew, and eventually included other styles of dance and acting.  Sydney went on to receive a BFA in Musical Theatre from the University of Michigan (go blue!), as well as studying Shakespeare in London at The Royal Academy of Dramatic Arts.  Upon graduating, Sydney moved to New York and began performing in professional theatre, first landing the role of “Gabriella” in HIGH SCHOOL MUSICAL at Paper Mill Playhouse.  From there, she joined the Chicago company of the hit, JERSEY BOYS, playing the role of “Francine.”  Broadway soon followed, as she had the honor of performing in four Original Broadway Casts: MEMPHIS, EVITA, AMERICAN PSYCHO, and MOTOWN, where she worked closely with Berry Gordy himself and played the controversial member of the Supremes, “Florence Ballard.” Other theatre experience includes THE HUNCHBACK OF NOTRE DAME (“Esmeralda,” Ogunquit Playhouse), AN OCTOROON (“Zoe,” Berkeley Rep), and FLASHDANCE (“Alex,” First National Tour). You can see Sydney playing “Cheryl Overstreet” in Spike Lee’s hit series, SHE’S GOTTA HAVE IT on Netflix.  The first season is currently streaming, with the second season due to premiere in 2019.  Other TV and Film appearances include YOUNGER (“Skye,” TV Land), THE SOUND OF MUSIC LIVE (NBC), THE INTERN, SERVICE TO MAN, and the short film LOVE, NEW YORK.  sydneymorton.com

Jarran Muse

Jarran Muse recently performed the role of Marvin Gaye on Broadway and in the National Touring productions of Motown the Musical. Some of his other Broadway/International Tours include Green Day’s American Idiot, Irving Berlin’s White Christmas, Dreamgirls, Hairspray, 42nd Street, and the newly Broadway bound inspirational musical Born For This.

This Jersey boy studied at The University of the Arts in Philadelphia, and at various Acting Studios in Los Angeles and New York City. He is currently finishing his degree with Full Sail University in Florida. Jarran will perform during our outreaches and talk about the impact Motown made on the integration of Black artists to popular music. He will generate discussions on racism and how to help break down prejudices. Jarran is passionate about erasing racism and bringing the cultures of the world closer together. A true Soldier of Love, he believes that so much is possible with the power of Love.

Holiday Pops

Diane Penning

“clear, free flying and of exciting timbre” “thrilling…exquisite…with gorgeous top notes.” These are but two critic descriptions of coloratura Diane Penning’s voice.

Equally at home in classical repertoire and pops, Diane has performed with over thirty orchestras around the country in programs of each genre.  Symphony appearances include concerts with the Arkansas, the Dayton Philharmonic, Calgary Philharmonic, Elgin, Firelands, Grand Rapids, and Grant Park Music Festival Symphonies; the Greensboro and Interlochen Arts Academy Symphonies; the Las Cruces, Mobile, Ocean City Pops, Pensacola, Phoenix, Pueblo, Rockford, Tacoma, Traverse and West Michigan Symphonies as well as others.

Her musical theatre credits include Cunegonde in Candide, Marian in The Music Man, Amalia in She Loves Me, and Maria in the concert version of West Side Story as well as “the grouch” in Robert Kapilow’s Green Eggs & Ham. Diane’s work in oratorio includes David Fanshaw’s African Sanctus, Bach’s Bm Mass and Christmas Oratorio; Beethoven’s Ninth Symphony and Mass in C minor; Fauré’s Requiem; Handel’s Messiah; Haydn’s Creation, Harmonie Messe and Lord Nelson Mass; Mozart’s Requiem and Coronation Mass; Orff’s Carmina Burana; Poulenc’s Gloria; Rutter’s Magnificat and Requiem, and Vaughan Williams’ Dona Nobis Pacem, with such organizations as the Apollo Chorus in Chicago’s Orchestra Hall and the Kalamazoo Bach Festival. Her opera roles include Adele in Die Fledermaus, Frasquita in Carmen, Musetta in La Bohéme, Lola in Cavalleria Rusticana, Pamina, Papagena and Queen of the Night in The Magic Flute.  Diane’s professional recordings include Phantom Phantasy with the Grand Rapids Symphony; Christmas Festival with the Czek National Orchestra; Simply Gershwin with pianist Paul Bisaccia; Everything Under the Sun with pianist Rich Ridenour and Sacred Space with Composer/Performer Nicholas Palmer.

www.dianepenning.com

Here are a few examples of what you will here:

Fantasia

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Mark SoueidiMark Soueidi

Growing up right here in Billings, MT, Mark Soueidi began his trombone studies early on with BSO Trombonist, Larry Lynam, and former BSO Principal Trombonist, the late Jim Robertson. After graduating from Billings Senior High in 1990, Mark continued his studies with Lance Boyd at the University of Montana, earning his Bachelor of Music in Trombone Performance. His professional experiences began early on in Montana with performances with the Billings, Bozeman, and Glacier Symphony Orchestras, including a four-year appointment with the Missoula Symphony Orchestra. Mark continued his studies at Northwestern University with Chicago Symphony Orchestra trombonists, Frank Crisafulli and Michael Mulcahy, earning his Masters in Music. He is currently pursuing a Doctorate of Music at Indiana University.

Mark enjoys making his way home each summer to teach and work at the Red Lodge Music Festival, under the direction of Billings West High teacher and BSO Bass Trombonist, Steve Patton. When Mark’s not spending time with his family, he can be found cycling or “teaching” bicycles in the bike shop.  His passion for bicycles included leadership positions in both the non-profit group, TrailNet, and the Billings Chamber of Commerce, where he helped to further develop an effective bicycle infrastructure in the Billings community.

Trombone Concerto in C

Nino Rota (1911-1979) Composed his Trombone Concerto in 1966. It first premiered in 1969 at the Conservatorio di Musica in Milano, Italy. It was performed by Bruno Ferrari. It will be performed by Billings Symphony Orchestra trombonist, Mark Soueidi.

 

Mussorgsky’s Night on Bald Mountain

Night on Bald Mountain was written by Modest Mussorgsky (1839-1881.) He wanted to paint a musical picture of the events of St. John’s Eve ( the celebration of the birth of Saint John the Baptist) on Bald Mountain (a hill in Poland known as a place for Pagan rituals to be held.) It is one of the first tone poems by a Russian composer. His mentor, Mily Balakrev,  refused to play it. It was never played during Mussorgsky’s lifetime. It wasn’t until 5 years after his death did his friend Nikolai Rimsky-Korsakov publish his own arrangement of Night on Bald Mountain. This is the popular version most played today.

Night on Bald Mountain:

 

Dukas’s Sorcerer’s Apprentice 

The Sorcerer’s Apprentice was written in 1897 by French composer Paul Dukas (1865-1935.) It was inspired by the 1797 poem by Wolfgang Von Goethe of the same name. It is a story of an old wizard who leaves his young apprentice to clean up his mess. The apprentice, deciding he doesn’t want to do the work, enlists the help of an enchanted broom. It soon becomes apparent the apprentice cannot control the wizards magic and things quickly spiral out of control. Eventually the wizard returns and takes over the magic. The apprentice must then do all the chores himself, under the disapproving eye of the old wizard.

Sorcerer’s Apprentice:

 Respighi’s Pines of Rome

Composer, violinist, and musicologist Ottorino Respighi (1879-1934) wrote Pines of Rome in 1924. It was first performed on December 14, 1924 at the Augusto Theatre in Rome. It is the second of three pieces composed about the city of Rome. Pines of Rome, as the name suggests, tell about the pine trees around Rome and how they look at different times of the day.

Pines of Rome:

Tchaikovsky’s Violin Concerto

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Sergey Pospelov

Born in Rostov-on-Don, Sergey Pospelov is a graduate of the Moscow Conservatory studying under Eduard Grach (2014). He won the 1st David Oistrakh International Violin Competition in Moscow (2006), the 41st Concertino Praga International Competition for Young Musicians (2007), the 15th Alberto Curci International Violin Competition in Naples (2008), and the 6th Abram Yampolsky Competition in Moscow (2012). He performs regularly in Russian cities, as well as in Italy, France, Poland, Israel, China, and Japan. He collaborates with the Novaya Rossiya Symphony Orchestra, the Moscow Philharmonic Symphony Orchestra, and the Svetlanov Symphony Orchestra among others.

tch15.medici.tv/en/artist/sergei-pospelov

TchaikovskyTchaikovsky’s Violin Concerto in D Major

Tchaikovsky’s Violin Concerto in D Major was written while Tchaikovsky was on vacation at Lake Geneva. The concerto only took a month to compose. He was joined by his pupil (and lover) Iosif Kotek. Together they played and composed. Moreover, they played Édouardo Lalo’s  Symphonie espagnole. They fell in love with the beautiful melodies and the overall lightness of the piece. It was a stark contrast to the darkness of the piano concerto he was previously working on.

Tchaikovsky wanted to dedicate his violin concerto to Kotek but he was afraid of the gossip that would surround  them. He decided to dedicate it to Leopold Auer . However despite already having the premiere scheduled and the copy published, Auer refused to play it. He didn’t think it was good enough and didn’t want to hurt his career. Tchaikovsky had to postpone the premiere until he could find another soloist. That soloist was Adolph Brodsky who performed Tchaikovsky’s Violin Concerto in D Major for the first time on December 4, 1881 in Vienna.

It has become known as one of the most important violin works in the history of Romantic music.

Allegro moderato (D major)

Canzonetta: Andante (G minor)

Finale: Allegro vivacissimo (D major)

Cindy McTee

Hailed by the Houston Chronicle as a composer whose music reflects a charging, churning celebration of the musical and cultural energy of modern-day America, Cindy McTee brings to the world of concert music a fresh and imaginative voice. cindymctee.com

Zoltán Kodály: Dances of Marosszék

Zoltán Kodály (1882-1967) is the inventor of the Kodály System of Musical Education and the composer of Dances of Marossék. He began working on it in 1923. he put it aside to work on Psalms hungaricus. He picked it up again and finished it in 1927. It was initially written for the piano, which surprised those who knew him because he played the cello and was not known for his piano playing abilities. Dances of Marossék is based on Hungarian folk songs that originated in the Székeley province of Hungary.

Family Concert, Adventures in Music Day

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Join us at the Alberta Bair Theater Saturday, January 19 at 12 p.m. for our annual Family Concert: Symphony in the Wild! You’ll hear some of your favorite animal themed music and see special visitors from ZooMontana.

Tickets are $6.50, general seating.

Ever want to test out a trombone? Beat on a drum or pluck on a bass? Adventures in Music Day and the Instrument Petting Zoo is the perfect opportunity to try them out. This event is FREE to the public! Thanks to Eckroth Music, Hansen Music, Kirk’s House of Music,  Billings Public Library, and Galt String Gallery for making this day possible!

9-11:30 a.m. | Billings Public Library
Listen and watch musical workshops by members of the Billings Symphony. Try out instruments provided by local music stores.

12-1 p.m. | Family Concert: 
Alberta Bair Theater
The BSO&C presents our annual family concerts. Tickets are $6.50.

Passport 

Passports

Lesson Plans for Schools

 

Where are the instruments sitting

Orchestra info for students

Rossini bio

Rimsky-Korsakov bio

John Williams bio

EASY TO MAKE INSTRUMENTS FOR KIDS

Compare & Contrast

Holiday Tour of Homes

We wish you a very merry holiday season filled with the wonder and joy that is reflected in the homes on our tour.

We at the Billings Symphony Orchestra and Chorale are delighted to host our annual Holiday Tour of Homes! We hope this holiday tradition helps get you in the spirit of the season. Join your friends and neighbors to see holiday decorations in beautiful homes around our community and listen to wonderful music.

Tickets can be purchased by calling 252-3610,
through this web page, or at these fine businesses: all
Gainan’s locations, The Base Camp,  First Montana Title,
Cricket Clothing Co., Wetzel’s Quality Cleaners, &
Berkshire Hathaway Home Sevices/ Floberg Real Estate.

 

Homes on the Tour this year:

1. Eisenbarth Home: 2222 Virginia Lane:

This home began as a vision of its owners. It has a Mediterranean/Tuscan style
throughout. The owners were inspired by the original home design which they enhanced with a major expansion. Their Christmas decor compliments the architecture with a very traditional holiday style. It touts four Christmas trees in various rooms and Santa’s a-plenty. Guests will be able to tour both the main house and guest house.

2. Eisenbarth Home: 2220 Virginia Lane:

The guest house sits next door to 2222 Virginia Lane on the same property. It is truly a home all of its own in both size and stature. You’ll
enjoy walking through and seeing the
comparisons and contrasts between the two homes in both design and decor. Where the main house gives you a feeling of upscale
tradition, the guest house will show you a
modern flair. You won’t want to miss these
special residences.

3. Gainan’s Holiday Dream Home: 1603 Grand:

Gainan’s is debuting the first holiday season at their Midtown location. Get ready to be inspired for your holiday decor plans. Weave your way through the forest of trees and throughout the store to see the beauty of the holidays in a variety of settings. Don’t forget to bring your Holiday Tour of Homes ticket in with you for your 15% discount.

4. Avenue C Apartments: 1607 17th St. West:

You will not want to miss this stop on the tour…for many reasons. Avenue C is a tour all on its own. Start out through the main doors with the sights and sounds of Christmas welcoming you in. If the weather allows, take a stroll around the holiday lights surrounding the courtyard pool before you head upstairs. Then enjoy walking through the fully decorated model home on the 3rd floor. Next, join our Billings Symphony volunteers ready to serve you holiday drinks and snacks on the 4th floor in the Sports Lounge. Come see the new Modern Montana at Avenue C.

5. Anderson Home: 3375 Gregory Drive W.

This Tuscan inspired home was the 2006 Parade People’s Choice winner. One step inside you will see why! The homeowners compliment the design of the home with traditional holiday
décor. Enjoy the abundance of holiday trees complete with lots of Santas, garlands, and lights.

6. Royer Home: 2613 Westfield Dr.:

Though this home was just built in 2007 you will love walking down memory lane with their holiday decor. The family’s Christmas Tree is a beautiful reminder of holidays past as it is
decorated with antique ornaments collected from prior generations. Be mesmerized by the vintage feel of decorations throughout the home. The family loves their traditional decor,
equally matched by its Montana roots and rustic charm.

7. Stanaway Home: 6144 Masters Blvd.:

Nestled in the beautiful neighborhood
overlooking the back side of Yellowstone
Country Club, this home is fairly new; however, the Stanaway’s holiday decor is meant to take you back in time with traditional reds & greens,
Santas and snowflakes.

 

Carmen

 

The Symphony season comes to a close with a semi-staged presentation of Carmen. See for yourself why this is the world’s most beloved opera. A first for the Billings Symphony Orchestra & Chorale.

Featuring: Billings Symphony Chorale, Kristee Haney (Carmen), Christie Conover (Micaëla), Benjamin Cleveland  (Don José), Gregory Gerbrandt (Escamillo) , Bret Weston (Zuniga), Amy Logan (Mercédès), Janie Sutton (Frasquita), Eric Hudgson (Morales), Geneva Copeland (Remendado), Carrie House ( Danciare),  NOVA Center for the Performing Arts ROCK Choir

Directed by Susan Sommerfeld

Susan Sommerfeld

Susan has been a part of the music and theatre community in Billings for many years as a singer, actor, director, and choreographer.  Some of her favorite roles include Lady of the Lake, in BST’s production of “Spamalot”, as Frau Blucher, in “Young Frankenstein the Musical” and as Norma Desmond, in “Sunset Boulevard”, with Venture Theatre at Nova.  Her memorable works as a director include “Chicago”, “Forever Plaid”, “Les Miserables”, and “It’s a Wonderful Life – a Radio Show”.  Susan has also been a guest vocal artist with the Billings Symphony Orchestra & Chorale.  When not at the theatre, she spends her time at her art glass studio, Kennedy’s Stained Glass.  She has a BFA in Musical Theatre from the United States International School of Performing and Visual Arts.


Carmen

Written by French composer George Bizet, Carmen premiered at Opèra-Comique on March 3, 1875. At first, it received critical reviews. It wasn’t until several shows ran outside of Paris, did it begin to gain notoriety. After its return to Paris in 1883, Carmen really became popular world-wide. Bizet passed away unexpectedly after Carmen’s 33rd show. He never knew the international acclaim his opera would achieve.


Kristee Haney

Kristee Haney (Carmen,) – Mezzo-Soprano – is known for her performance of Carmen in George Bizet’s Carmen. Haney has performed throughout North America and Europe, most notably with the New York City Opera. She is an accomplished soloist with numerous symphony orchestras.


Christie Conover

Christie Conover (Micaëla) – Soprano – is a Billings native and has received national attention through esteemed competitions. Conover’s performances of Micaëla have garnered her critical acclaim. She made her international debut with the Komische Oper Berlin during the 2015-2016 season. She has performed with symphony orchestras all over the nation.


Gregory Gerbrandt

Gregory Gerbrandt (Escamillo) – Baritone – has performed over 70 principal roles with top opera, musical theatre, and symphonic organizations on five continents, singing for ambassadors and other officials from all over the world.  Gerbrandt has created the lead role in four World Premiere operas and is constantly in high demand to perform the prominent standards of Italian, French, English, and Russian opera.


Ben Cleveland (Don José) – Tenor – is from Spokane, WA. He has worked as an apprentice artist at the Lyric Opera of Kansas City and was an Emerging Artist  at Opera New Jersey. Ben is currently performing with Seattle Opera’s touring production of Cinderella en España, and recently sang the role of Don Josè in Pacific Opera Northwest’s production of Carmen. Other recent performance credits include Rodolfo in La bohème, Boris in Katya Kabanova, Sam in Susannah, and Tamino in Die Zauberflöte.