“clear, free flying and of exciting timbre” “thrilling…exquisite…with gorgeous top notes.” These are but two critic descriptions of coloratura Diane Penning’s voice.
Equally at home in classical repertoire and pops, Diane has performed with over thirty orchestras around the country in programs of each genre. Symphony appearances include concerts with the Arkansas, the Dayton Philharmonic, Calgary Philharmonic, Elgin, Firelands, Grand Rapids, and Grant Park Music Festival Symphonies; the Greensboro and Interlochen Arts Academy Symphonies; the Las Cruces, Mobile, Ocean City Pops, Pensacola, Phoenix, Pueblo, Rockford, Tacoma, Traverse and West Michigan Symphonies as well as others.
Her musical theatre credits include Cunegonde in Candide, Marian in The Music Man, Amalia in She Loves Me, and Maria in the concert version of West Side Story as well as “the grouch” in Robert Kapilow’s Green Eggs & Ham. Diane’s work in oratorio includes David Fanshaw’s African Sanctus, Bach’s Bm Mass and Christmas Oratorio; Beethoven’s Ninth Symphony and Mass in C minor; Fauré’s Requiem; Handel’s Messiah; Haydn’s Creation, Harmonie Messe and Lord Nelson Mass; Mozart’s Requiem and Coronation Mass; Orff’s Carmina Burana; Poulenc’s Gloria; Rutter’s Magnificat and Requiem, and Vaughan Williams’ Dona Nobis Pacem, with such organizations as the Apollo Chorus in Chicago’s Orchestra Hall and the Kalamazoo Bach Festival. Her opera roles include Adele in Die Fledermaus, Frasquita in Carmen, Musetta in La Bohéme, Lola in Cavalleria Rusticana, Pamina, Papagena and Queen of the Night in The Magic Flute. Diane’s professional recordings include Phantom Phantasy with the Grand Rapids Symphony; Christmas Festival with the Czek National Orchestra; Simply Gershwin with pianist Paul Bisaccia; Everything Under the Sun with pianist Rich Ridenour and Sacred Space with Composer/Performer Nicholas Palmer.
Here are a few examples of what you will here: